PRINCESS ROOM DECORATING IDEAS. DECORATING IDEAS


Princess room decorating ideas. Decorative wooden wall letters. Church wedding decoration ideas.



Princess Room Decorating Ideas





princess room decorating ideas






    decorating
  • (decorate) deck: be beautiful to look at; "Flowers adorned the tables everywhere"

  • Confer an award or medal on (a member of the armed forces)

  • (decorate) make more attractive by adding ornament, colour, etc.; "Decorate the room for the party"; "beautify yourself for the special day"

  • Provide (a room or building) with a color scheme, paint, wallpaper, etc

  • Make (something) look more attractive by adding ornament to it

  • (decorate) award a mark of honor, such as a medal, to; "He was decorated for his services in the military"





    princess
  • The daughter of a monarch

  • a female member of a royal family other than the queen (especially the daughter of a sovereign)

  • Princess is a 2006 adult-themed Danish animated film directed by Anders Morgenthaler and co-written by Morgenthaler and Mette Heeno.

  • A close female relative of monarch, esp. a son's daughter

  • Princess is the feminine form of prince (from Latin princeps, meaning citizen). Most often, the term has been used for the consort of a prince, or his daughters.

  • The wife or widow of a prince





    ideas
  • (idea) the content of cognition; the main thing you are thinking about; "it was not a good idea"; "the thought never entered my mind"

  • An opinion or belief

  • (idea) a personal view; "he has an idea that we don't like him"

  • A concept or mental impression

  • (idea) mind: your intention; what you intend to do; "he had in mind to see his old teacher"; "the idea of the game is to capture all the pieces"

  • A thought or suggestion as to a possible course of action





    room
  • space for movement; "room to pass"; "make way for"; "hardly enough elbow room to turn around"

  • board: live and take one's meals at or in; "she rooms in an old boarding house"

  • an area within a building enclosed by walls and floor and ceiling; "the rooms were very small but they had a nice view"

  • Space that can be occupied or where something can be done, esp. viewed in terms of whether there is enough

  • Opportunity or scope for something to happen or be done, esp. without causing trouble or damage

  • A part or division of a building enclosed by walls, floor, and ceiling











russia - moscow




russia - moscow





The Terem Palace (Kremlin, Moscow, Russia).

The Terem Palace, easily spotted behind the Church of the Deposition of the Robe by its eleven gilded onion domes, served as the Imperial residence until Emperor Peter the Great moved the Russian capital to St. Petersburg in 1712. The Palace is a multi-tiered building, incorporating two medieval churches built one on top of the other, two levels of service quarters and the royal suite created for Mikhail Romanov in the early 17th century. Meaning "tower-chamber", the Terem was originally constructed between 1499 and 1508 by the Italian architect, Alevisio Novi, but later added to by Russian craftsmen between 1635 and 1636. The palace lay in disuse for many years whilst the Tsars chose to rule Russia from Peter's northern capital of St. Petersburg, and was eventually refurbished in 1837 in splendid 17th century style, with elaborate tiled stoves, gilded stucco and painted ceiling vaults. The Palace gives the visitor an excellent idea of how everyday life went on in the Tsarist residence. The old 15th century basement features storerooms, cellars and servants' quarters, and elsewhere in the building workships are to be found, where ceremonial vestments, clothes and linens for the Tsar and his family were made and stored. The Tsar's living quarters, the "Terems", occupied the three upper stories of the Palace and include numerous balconies, secluded squares and private staircases screened off from view and accessible only to the Tsar and his closest confidants. In all the Terem Palace contains three main churches and several smaller prayer rooms. The Upper Cathedral of the Savior was the domestic chapel of the male member of the Tsarist family and the Church of St. Catherine served as the private chapel of the Tsarinas and princesses. A third chapel, the Church of the Nativity of Lazarus, dates back to 1393 and is one of the oldest remaining original churches in the Kremlin complex. Between 1680 and 1681, all these churches were united under a single roof, decorated with eleven elegant gilt cupolas on brightly tiled slender drums. Today, the Terem Palace can only be accessed from the Vladimirsky Hall of the Grand Kremlin Palace and is, unfortunately, out of bounds to visitors.













[ D ] Salvador Dalí - Princess Artchild Gourielli-Helena Rubinstein (1943)




[ D ] Salvador Dalí - Princess Artchild Gourielli-Helena Rubinstein (1943)





Dali's riveting depiction of the legendary Helena Rubinstein (1870-1965) is among the artist's most accomplished portraits. When Dali painted this work in 1943, Rubinstein was the world's richest woman, having single-handedly established an eponymous multi-million dollar cosmetics company that transformed the industry. As the world's first self-made female millionaire, Rubinstein was a pioneer among captains of industry, achieving a level of success that was hitherto unimaginable for a woman. But as a product of her generation, Rubinstein ironically preferred to be addressed by the noble title and surname she inherited from her Georgian husband. That duality of persona is addressed in Dali's title for this extraordinary portrait. Dali had known Rubinstein since the early 1930s, and she was part of the elite establishment that welcomed the artist when he arrived to New York in 1940 at the outbreak of war in France. In 1942, she commissioned Dali to create a group of three major murals to decorate the dining room of her 36-room triplex on Park Avenue. A year later, he painted this portrait, featuring his patron as a small element of a larger environment. Unlike typical portrait commissions, Rubinstein's face accounts for only a tiny portion of the canvas -- a compositional allusion, perhaps, to her role as the keystone of a colossal industry. Rubinstein was seventy-three years old in 1943, but Dali has rendered a more youthful representation of her in this picture that bears a close resemblance to his own wife, Gala. This choice reinforces the Surrealist idea of a non-literal portrait, which relies on symbolism and atmospheric effects to convey information about the subject. In this way, Rubenstein's youthfulness represents the immortality of her character as well as the accomplishments of a cosmetics pioneer. The entire scene is reminiscent of Renaissance depictions of the mythical Andromeda, chained to the side of a rock; yet, Dali provides us with a revised version of that story, depicting a woman of great strength and a formidable opponent to the demons of the modern world. As was typical of Dali's best work, there is even an erotic undertone, suggested by the tiny figures of Venus and Cupid on the rocks below










princess room decorating ideas







See also:

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new decorating book

easter bunny decoration

wedding reception decoration ideas

decorations for tables

home decor gallery

yard garden decor



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